Mittwoch, 14. Juni 2017

Face of stone - and when to kill and when not to kill

 A strange endeavour. A strange venture. A strange adventure, it seems, and a lot to learn for me still about life... and death. I was on my way to the ironforge, and thought I would do the hike down the Hohenstein crags. I wanted to shoot some photos to boast where I had ridden down with my bike... using social media can do that to your ego... ;-). But the hike started a murky one and turned out to be of grave importance.
 There was a light drizzle, but I liked the rain in my face, cool, but not cold. I liked the solitude of the woods, the silence and the signs of life going on everywhere.
 Deeper down the slope I ventured. Lightly I trod, even if my bag was laden with tools and steel alike.
 The gnarled beeches hold the ground with strong roots, infested into the ground with vigour.
 Mist-ridden was the dale... rising above the manor of Ahlhausen, which since the medieval ages was the domain of the masters of our ironforge.
 I went on more carefully, for the trail was quite exposed upon the crags...
 Funny, though... with a bike this feels more safe to me...
 I like this trail even more in the murky mood of a drizzle. It has some fairy tale aesthetics to it that is hard to describe...
 It is dark and exposed and unforgiving... but in the dark and gloomy weather it became an enchanted place.
 ...
 ...
 Down the crags the trail meanders...
 ..down into the valley, where the river sings.
 ...
 Halfway down there are some engraved rocks. The carvings are contemporary, of course, but to me they are no less interesting for that.
 It is as if this face of stone emerges from the rock... as if it keeps an eye upon you. Someone who meant no ill did that, and he did it surprisingly well.

 To my eye, the carvings add an air of mystique to the place. But then I am prone to an atmosphere of the mythical in the first place... ;-)



Ever down I went. There was something lurking in the atmosphere of the woods, something eerie and weird.
 And then I came across this youngling bird, apparently fallen from the nest, which I cannot even tell what kind it was, it was that battered. It was still alive, but barely so.
 And it was hard for me to see it suffer. I was contemplating to put an end to its pain with a blow of my hammer, but then it simply did not feel right. But on the other hand it did not feel right not to do so. Certainly I would not want to suffer in death, and certainly did I not want the bird to suffer. I thought long and hard whether I should put this on my blog, too. So spare me any hate comments, I do not feel too good about this in the first. This was a dilemma I was faced with I had never been faced with with that brutality, that openly. There are animals suffering far worse for our nourishment. At least this bird had had a fair chance for a life in peace in the woods. And this was the point where it occurred to me I simply did not have the right to intervene. The life as well as the death of each individual belongs to the individual. This bird belonged to death, but not entirely so. I could not help it any which way to survive much longer, without a wonder. My presence stressed it even more, it was plain to see that, but it was hard to go away. I wanted to help. I could not. Memory of the deaths of my grandfather and my father came up, they welled up inside me. Then it was I also stood beside their "sad height" and wanted to help-but could not. Even then did I want to put an end to their suffering, did I want to ease their pain, but could not. If you belong to death, there is no way you could escape. And noone can do anything against that fact. The strong survive, the weak die early. This bird fell from the nest, and this is sad in itself, but it is a way of life, not death. It is absolutely brutal, but it is the truth: That way it would be food for a badger or a fox, and feed them, so that they become stronger. Humans have detached themselves from that chain. We are the worst of the bad guys in nature, and yet we are full of fear and hate. This bird was dying. Everything I could have done, would have been wrong. So I did... nothing at all. I just turned away. It was one of the hardest things I have ever done in my life, and the feeling of guilt will stay with me for  a while, but I hope the wisdom will come to me eventually and I will live to learn the lesson, for a lesson it was. No, I will not come to master death. Noone will, and noone can. Death is wild and cruel, and unfathomable. That makes it fascinating, but also fearsome. But it is an integral part of our world. There is no conciliation and no making fun out of it, but it should not be feared in spite of everything, for it is an integral part of our world. The death of the bird feeds the fox, the owl and the badger, the buzzard and the insects. It is connected to the whole process of nature. I know there is a soul. In everything, even the rocks, different to others, but still the rocks have a life of their own. They crumble, they change, they are ground to sand, and every rock has its own characteristics that contribute to the way they exist and erode. From sand over the aeons rocks are born. Trees are born, and live, and fall, and new trees sprout forth from seed and sapling, digging gnarled roots into the direst of places, and they crush even rocks to hold fast to life. Every tree has its own way, its own characteristics. Every animal has, every human. There is a power running through it all.

No, I still do not know whether it was right or wrong what I did not do. I have to live with the consequences, be they good or bad. Still I am not the wiser for the lesson I got. I know the bird´s soul is a part of the soul of the universe. Call it God or Goddess if you so will, it is not touched by your names. Death comes to us all, and He is not touched by the name you give "him" at all. Many are the names we humans give to what we cannot fathom. We hope to achieve that we can fathom the things to which we give names, but still the meaning of a rose far exceeds the name or even the description. Art is due to this, and philosophy, and literature, and, yes, religion. And yet, that we want to fathom binds us in turn-with the name we have given to it, so much in fact that these days millions and milliards of innocents will die for the quarrell over power and three names. 

I hope for this bird. I hope it is now part of the whole again, with no fear of the inevitable, an integral part of the law of the universe, the first cause of it all (names again, see?), unfathomable by man or beast. 

When to kill, and when not to kill? If it is that difficult a matter if you were not even responsible for this particular death, how much more difficult would it be if you were? If you aimed a gun at someone and tried to end a life willfully? Maybe because the one over there was told a different story? How can one tell it´s the "right" name one is fighting for? Without knowing more about?

I would be pleased if you all took no offence in the graphic photo. I just had to. I can´t apologize. The times need it, or so I think. 



WIP - collaboration through the times

 There´s a lot of stuff going on these days, and I find little time to forge or make anything for myself... but still I fit in whatever I can, when I can. This is the knife from the last post. I reworked the carving a tiny bit and tried out something new.
The carving has been stained in a coffee/tea/onion peels concoction and dyed in dragonblood varnish. the white area had been coated in beeswax beforehand and was polished afterwards. So far I am content with the outcome, even if there´s still alot of polishing to be done. I´ll keep you posted! ;-) I threaten! ;-)

Donnerstag, 8. Juni 2017

Collaboration through the times - WIP

 This is a knife I made quite some time ago in 2015 (http://fimbulmyrk.blogspot.de/2015/09/a-collaboration-through-times.html)... boy, time´s flying. The blade is forged from a blade blank I found in the woods and that might date back to the 18th or 19th century. It is refined steel or crucible steel with a carbon content of roundabout 0,6-0,7%. The handle is reindeer antler with bronze fittings.
 I have to elaborate the carving somwhat still and tan it in something else than dragon´s blood varnish, and then it´ll be ready for a sheath.
 I really like this project. I take this really slow, because the process means a lot to me, and I take it to be a huge responsibility.

Progress on my "Grosses Messer"

I just thought to give you some WIP pics of my "Grosses" Messer. The blade is all quenched now, selectively tempered (edge and half the spine).
The wrought iron guard is roughly filed and waiting to be polished, etched and polished and etched... ;-).
The spine edge is sharpened now. Balance point (CoB) is some 8cm from the guard with the guard fitted, which is causing me quite some pain in the arse, for there has to be the Nagel still fitted and some elk antler scales which are not the lightest, too, and I originally wanted to fit a pommel or at least a sheet of wrought iron to the end... still a lot to learn, but this is a good thing!

I want to thank Lukas Mästle-Goer a lot, who is hinting out a lot and helping me with the progress! Being a professional swordsmith and trained HEMA swordsman, he gave me a lot of valuable input on balance and percussion.

Anyway, I look forward to the outcome!


Adventure and magic and the joy of knifemaking from foraged steel.

 Where to begin? How to write about something that is not commonly accepted? What is adventure and magic in the first...? I went on a bimble yesterday... and this beetle occured to me.
Why did I say that? Did the blossoms and flowers also occur to me? Did they happen to be along my path?
No, my stroll was  a leisurely one. It was nothing special, really. Just a short venture around the hills behind my home.
Did I just say "nothing special"? Yes, we tend to forget that: The woods ARE special. Not only are they the place where wild animals and plants live, where we can find peace and solitude. But since the dawn of time it was there that the fairy tale and the adventure took place. In courtly romance of the medieval ages, it was almost a ritual of investition into chivalry, and one of the most enigmatic aspects of knighthood was part of the "aventiure".
What now, you ask, is this "aventiure"? Is it adventure? And what IS adventure?
Medieval High German "aventiure" as well as the modern word "adventure" derive from Latin "ad venire", that which comes (to one). It is what happens to one, what occurs to you. It is the Holy Grail that "happens" to Parzival in the book of Wolfram von Eschenbach. It is the sword in the stone that "happens" to Arthur and makes him king.
Thus I wandered on, waiting what would happen to me. You need a special mindset for something like that. You have to be open and relaxed. If you tense up and wlk around looking for wonders, chance is, nothing will happen.
...because then you will not be able to see the wonders beside the trail, which are way more simple. Oh, maybe the crags will not open to let you inside, into the dwarven kingdom of yore. But elderflower blossom is a wonder that can be easily reproduced. It is the base level of wondering. You have to be open to see this jewel of beauty still to be able to see what is on the next "plane" of wondering...

Yes, on I went, and did I find adventure on this walk that was not special? Did something happen to me?

...
...
...
Spot the deer....
...
Or the ladybug...
Take home some ground ivy for tea and syrup and spice for stews...


I found some wild garlic along the way... and in the trail I spotted some steel. Now the trails are made from crap. They are literally made from junk steel, and a lot of it is... well, junk steel for my application. But over the years I have developed a feeling for the steel. It is very hard to describe. Of course I do sound tests, spark analysis and all that stuff, but more often than not I just feel the steel. I know I am sounding a bit esoteric now, but that is due to the fact that what I am saying IS esoteric, or better yet, esotelic (from Greek: Telos, arrow, missile). Meaning it is directed to my inner self, not aimed at you. The steel happens to me because I allow it to happen.

Also this squirrel happened to meet up with me...

Yes, and I wandered on. On through woods that grew ever so much more murky.


And I contemplated: Look at this knife. I made it recently from foraged steel I found along this exact trail. I have a truckload of spring steel, silver steel, ball bearing and tool steel at my disposal. I make other people´s knives from that, and for other people that´s just fine. Few people could understand why I "need another knife". Of course, the answer is, I do not "need" another knife. I have many of them. Most of those I have made recently, however, are more than just that, and I do not "need" them, but I need to make them.
There is more to that than just the function, and these knives have a soul.

And when I sit down in the woods and sip my tea, I contemplate the mirror image of trees, and the mirror image of squirrels and roe deer bucks and wild garlic and elderflower blossom and ladybugs and ground ivy and beetles and all the wonders I have met by the roadside. It is magic, a magic that is so subtle that common people can´t see it anymore. It is fairy tales that ordinary peoples cannot hear anymore, for they are whispered in the wind, and the breeze is light in the treetops. It is the sound of silence and the thrumming of the steel in the roaring forge. And only by listening to all these fairy tales that are so commonplace that common people cannot even listen to them anymore can you tell the rebar from the Wootz ingot or lathe chisel. They are lying in the ground, all alike, covered with thick flakes of dirt and rust, lying there for decades or even centuries, silently rotting, until by chance they have happened to me.

No, I do not "need" another knife. But I need to make them, for each and every one of them is an exercise. It is an exercise in wondering, in listening to the sublime voice of the other world, of speaking the other world´s words in a fairy tale made steel. Noone believes in fairy tales anymore, but it is hard not to believe in the razor-sharp edge of a knife. A fairy tale of steel makes the Baba Yaga more plausible. No, it is not altogether a sweet tale of roses with a happy end. It is a violent song that is sung out of the earth, an earth that is writhing under the chains of pollution and waste. It is a silent menace, and a revenge for all the life that cannot be lived anymore, of all the fairy tales killed and all the wonders neglected. But it is also the answer, if we are able to listen, the answer to our peace and our agonized asking. The answer is that it is no answer. The answer is that that will happen happens according to a scheme, to a plan, and in that, makes perfect sense. Other things might happen, and their possibility is just as valid as the one that happened. It needs a strong character not to get lost on the way and return to court or even staying in the woods, as Merlin, Myrddin, Lailoken and Suibhne Geilt did.

To be honest, it is a practice of magic. I have long since become something very different. I think along strange lines, I think and believe deep and darkly, just like a tree sinks its roots into the ground. It is a wasteland soil where my roots are writhing, sinking into. But still, this magic prospers. Well do I know where the Hanged One left His eye!

No, those knives are nothing special, not at all. They are made from junk. And the symbol of our times is not the sword, the symbol of chivalry and nobility. It is the tank, the whip and the credit card. But if you listen closely to the violent song of steel, you will laugh aloud at those grey manacles they want to bind you with. And "they" can take the steel from me.

But the song will remain.


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